I wrote this poem in reverse – poem

I wrote this poem in reverseStapleTexture

I could have gone to bed early
as per usual
but i didn’t

i saw a film i hadn’t seen before
and parts of one that i had
that’s when i thought of you

and all of a sudden
the dawn and the birds
began to chirp

not that i regret it
i’m happier now
despite the quiet

the crow sent me to bed
i locked the doors
the cats were in or out.

Posted in Art, Ingrid Dabringer Art, Inspirations, On The Road Again, Poetry, Process, Quotes, Visual Poems | Leave a comment

Artists we are – poem

Artists we are20150128_144723

the canary in the coal mine
the nerve ending
the windsock
the empath

we are here for you
whether you want us
or not

we are artists
aware of our collective loneliness
every day
in every way
whether you want it
or not

we are the earth
and the rain
and the wind
and the fire
and the metal
and the quiet

you’re welcome

Posted in Art, Humanity, Inspirations, Poetry, Process, Visual Poems | Tagged , , , , , , | 2 Comments

Myths we choose to live by – Visual Poems – Episode 1

Hope you enjoy!

Posted in Audio Visual, Ingrid Dabringer Art, Maps, Music, On The Road Again, Poetry, Process, Visual Poems | Tagged , , , , , , , , , , | Leave a comment

Audible Stories – Episode 1 – Breakfast Matters




Posted in Art, Audio Visual, Humanity, Ingrid Dabringer Art, Music, Poetry, Uncategorized | 2 Comments

World Photography Organisation

Kacper-Kowalski_Poland_2nd-Place_Landscape_Professional-competition-2014_600x400World Photography Organisation.

mmmmmmmmmm – photography

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Nuit Blanche 2014 Ottawa – WAS AWESOME!!!!!

Thanks to everyone for supporting me, the Arts and coming out on a warm, drizzly night.

It was so much fun!

Posted in Art, Art Shows, Community Arts Activism, Ingrid Dabringer Art, Process | Tagged , , , , , , , | Leave a comment

Seung_Hwan Oh | Impermanence

Seung_Hwan Oh | Impermanence.

Seung-Hwan Oh

The visual result of the symbiosis between film matter and organic matter is the conceptual origin of this body of work.

The process involves the cultivation of emulsion consuming microbes on a visual environment created through portraits and a physical environment composed of developed film immersed in water. As the microbes consume light-sensitive chemical over the course of months or years, the silver halides destabilize, obfuscating the legibility of foreground, background, and scale. This creates an aesthetic of entangled creation and destruction that inevitably is ephemeral, and results in complete disintegration of the film so that it can only be delicately digitized before it is consumed.

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